“Bless me, Ultima” (2013)is an emotional and powerful film adaptation of Rudolfo Anaya’s beloved novel directed by Carl Franklin. As we celebrate Hispanic Heritage Month, this film stands out as a touching exploration of cultural identity, spiritual growth, and a clash between Indigenous tradition and European religion. Set in New Mexico during World War II, “Bless me, Ultima” follows young character Antonio Márez y Luna (Luke Ganalon), a young Chicano boy who is coming of age in a world where ancient traditions and modern influences intersect.
His life changes dramatically when Ultima (Míriam Colón), a curandera(healer) with deep mystical wisdom, comes to live her last days with the family. Through her guidance, Antonio grapples with profound questions about faith, destiny, and the nature of good and evil. The film captures the essence of Anaya’s novel with respect and sensitivity to its characters. The plot is rich with cultural and spiritual themes, intricately weaving together Antonio’s personal journey with the colorful fabric of Chicano heritage. The narrative’s exploration of folklore and traditional healing practices offers viewers a window into a vital aspect of Hispanic culture that is often overlooked in mainstream media, where some live it all year long versus those who are seasonal believers.
Ganalon delivers a compelling performance as Antonio, embodying the curiosity and vulnerability of a young boy caught between innocence of childhood and the complexities of adulthood with its tragedies. Colón as Ultima portrays the curandera with a blend of wisdom and warmth, providing a profound spiritual anchor for the story. The chemistry between Ganalon and Colón is particularly notable as it underscores the deep impact of Ultima’s teachings on Antonio’s growth.
Franklin’s direction ensures that the film maintains a respectful and authentic tone throughout the filming. The cinematography by Emmanuel Lubezki, known for his work on “Love in the Time of Histeria” (1991)and “Sleepy Hollow” (1999), is visually stunning. The sweeping landscapes of New Mexico are captured with a lyrical quality that enhances the film’s magical realism and underscores the spiritual and physical journey of the characters with a Hispanic setting.
The soundtrack, composed by Javier Navarrete, complements the film’s mystical and emotional layers with its haunting melodies and traditional Mexican influences. The film’s themes are deeply resonant, addressing the conflicts between traditional beliefs and the encroaching modern world, the search for personal identity, and the interplay of cultural heritage and spiritual understanding.
“Bless me, Ultima” is a significant contribution to Hispanic cinema and a moving tribute to the rich cultural and spiritual element of the Chicano experience. Its respectful portrayal of Indigenous practices and its exploration of universal themes make it a compelling watch for anyone interested in the interwoven of culture, identity, and faith. For those celebrating Hispanic Heritage Month, this film offers a valuable opportunity to engage with an appreciation of the depth and diversity of Hispanic storytelling. Free streaming can be found on YouTube and movie app Tubi.